Aungier Street, Dublin, yesterday.
(Thanks Kevin McGee)
http://vimeo.com/61348049#at=34
A mini-doc on the burgeoning phenomenon of fashion blogging by GARAGE Magazine sez:
When we set out to make this short, our intention simply was to observe the phenomenon of fashion bloggers and street style stars. As we started to review the footage, two salient trends became apparent: fashion editors frustrated by the ensuing commotion outside of shows, and the rise of “peacocking” street style stars as a result of the proliferation of blogs. This film examines these themes from both perspectives.
At the Tiki Hut.
This morning (they’re four hours behind)
Tim Lavers (above) writes:
Hey guys, just sitting in Barbados (with Nick and Philip, top) at the Tiki Hut and they are doing an Irish night street party with tricolor shots and foreign extra Guinness! Eukk!
They are making a big effort, to be fair.
‘Munkfisht’ wins the Stephen Wildish’s Study in Ted A3 print in yesterday’s competition
By correctly identifying ( from left):
Fr Ted Crilly
Fr Dougal Maguire
Fr Jack Hackett
Mrs “Sound of a Sheep Baaing” Doyle
Fr Dick Byrne
Fr Cyrill McDuff
Fr Larry Duff
Fr Fintan “I’ve had my fun” Stack
Tom “Would ye believe a dog did that to me”
Pat “Massive Tool” Mustard.
Eoin “I’ve no Willy” McLove.
Bishop Len Brennan.
Mary “Ye Feckin tit ye” O’Leary.
John “At least that’s one pair between us” O’Leary.
Sr Assumpta.
Noel “I Really Like Tony” Furlong.
A Study In Ted is available from Jam Art Prints.
A frankly brilliant proposal to turn the (abandoned since 1983) Battersea Power Station in London into a museum surrounded by an epic rollercoaster track.
Of the design concept, which won top prize in the ArchTriumph Museum of Architecture competition, Parisian architectural firm Atellier Zundel Cristea sez:
Our project puts the power station on centre stage, the structure itself enhancing the site through its impressive scale, its architecture, and its unique brick material. Our created pathway links together a number of spaces for discovery: the square in front of the museum, clearings, footpaths outside and above and inside, footpaths traversing courtyards and exhibition rooms. The angles and perspectives created by the rail’s pathway, through the movement within and outside of the structure, place visitors in a position where they can perceive simultaneously the container and its contents, the work and nature.
Gregg or Pitman?
You decide.
A notebook showing the tally of the Irish parliamentary vote on the Anglo-Irish Treaty in 1922 with a quote from Michael Collins:
“Let the Irish nation judge us now and for future years.”
From the Jackie Clarke Collection in Ballina, Co Mayo.