Yearly Archives: 2014

Kawanabesatou9Kawanabesatou1 Kawanabesatou2 Kawanabesatou3 Kawanabesatou7 Kawanabesatou10 Kawanabesatou13 Kawanabesatou14
Kosuke Sato works as a tombstone salesman in Chiba Precfecture in Japan, assuaging the morbid concerns of his day job by creating miniature restaurant and bartending dioramas for Ginji (the handsome chap at the top) and other members of his collection of adorable hamsters.

He also keeps miniature ferrets, but they tend to occupy low-level administrative or accounting positions within the group.

More rodentine barista action at Sato’s blog.

mymodermet

Screen Shot 2014-11-10 at 15.10.53
https://www.youtube.com/watch?v=gv6hoZq_sDM

Shauna Watson writes:

We recently published a video portraying some of the best areas in Dublin in an effort to promote the beauty of the city. The video has been reviewed as “heart-warming” and “uplifting” and reminds people both at home and abroad of the carefree nature of the Irish and wonders of our capital. We are very proud of both Dublin and of this video showcasing many beautiful scenes and sights of the city and feel that it should be shared with the Irish and our international friends.

90340713

Former Irish Independent journalist, Gemma O’Doherty, and former garda John Wilson outside the Employment Appeals Tribunal last May

There you go now.

Previously: Going To Work

No Justice Yet

Not Going Away

risingnicky ryanNicky Ryan (above) and his movie’s Indigogo campaign

Shot “in the style of Bloody Sunday (2002) and The Battle of Algiers (1996)”!

Six Days of The Rising will recreate “this epic fight for independence and the destruction of Dublin onscreen as never before seen”.

“Recreating the Dublin of 1916 will require the representation of the city before and after the immense destruction. The city is a character in the film and we believe that accuracy in the geography and look of the building is essential. To enable this we intend to create a very large exterior stage with the appropriate cobblestone street and lower level structure combined with 100ft high blue/green screen backgrounds, and composite authentic models of the surrounding buildings in the various stages of destruction. Rather than focusing on the leaders of the uprising, we will portray the events from the perspective of a man whose journey across the barricaded city brings him in contact with both sides of the conflict. We will bring a level of authenticity to the production that like The Summit, puts you firmly on the ground during the extraordinary events of Easter 1916”.

Nicky Ryan, Sundance Festival winning director of The Summit (2012).

FIGHT!

Six Days Of The The Rising will be part funded through an Indiegogo campaign here

Nicky Ryan pic: Paul Dowd

sud14_jane_ruffino

Regular Sunday Business Post tech columnist Jane Ruffino (above) column was bumped in yesterday’s edition in favour of expansive and glowing coverage of the Web Summit.

It couldn’t possibly be anything to do with her previous week’s column (behind the SBP pay wall or available in an expanded form on Medium) that used the Web Summit as an example of the overly cosy relationship between tech journalism and the companies they report on.

G’wan the Official Ireland.

Where is technology’s critical culture? (Jane Ruffino)

tsb

GK writes:

I switched to Permanent TSB a year ago due to their offer of no ‘extra’ bank charges (No quarterly fees or day-to-day transaction fees when you lodge €1,500 a month) etc. After one year of no transaction fees I got charged €45 in one month for Referral Fees. So, I called the bank and they said that because I was in ‘good standing’ they had turned on a ‘Courtesy Facility’ which allows me to go into the red on random occasions ‘to buy your bits and bobs and not get embarrassed at the checkout till’. This ‘Courtesy Facility’ costs €5 each time and can be charged up to three times daily. You have to request that it is turned off.Apparently it is in Ye Olde Terms & Conditions page 20 paragraph 4b. ‘Without prejudice….. etc…’ Be careful out there folks !