Ghana Penalty-2

They’ve gone Chile Ghana barmy.

Ireland’s Thomas McDonagh [above] slots home the winning penalty against Ghana at the Homeless World Cup yesterday at Plaza de la Ciudadania, Santiago, Chile.

Match report via the Homeless World Cup

The match for the 5th and 6th place of the World Homeless Cup was the last for the day at pitch number 2 Lombardia at Arena Civica.
The afternoon sun had no mercy as the two teams went out in very good spirits: Ghana singing and Ireland relaxed and focused.
Ghana was the first to have the chance to score, but missed the opportunity and there followed two quick goals by Ireland. Ireland was standing better on the pitch in these first minutes, but Ghana managed to fight back to 2:2. By the end of the first half Ireland had slightly more possession of the ball, both teams missed a lot of opportunities, yet Ireland was able to take the lead with 2 goals before halftime.
The second half was extremely dynamic as Ghana used every opportunity to reduce the goal difference and Ireland was eager to show more and only the great intervention of both goalkeepers prevented the result from being much more than 8:4.
An examplary game for fair-play, Irealand and Ghana summerized the spirit of the World Homeless Cup under the passionate cheering of the Scottish street team [cheering in the stands].”

Update:

It’s not good..

Tonight’s must win match V Poland has ended in a 6-4 defeat.

poland

Green machine squad: Clayton Kelly, Craig Haslam, Darragh McNamara, James Traynor, Dylan Sheridan, Lee Geoghegan, Thomas O’Dwyer and Thomas McDonagh.

G’wan the lads.

joint

41st Shade.

A clear headed documentary on cannabis in Ireland.

Featuring Limerick physician William O’Shaugnessy, discoverer of the medical properties of cannabis, Mr Nice, Mr Ming, Prof Crown, addiction counsellors and a covert mildly paranoia-inducing visit to a grow house.

Maker Paul Roban writes:

The intention of this documentary is to explore the role of cannabis in 21st Century Ireland, not least due to growing usage within the mainstream, but also because of our failure to prevent its distribution. For this reason, we need to question the resources ploughed into the ‘war on drugs’ and whether both the time and manpower called upon is justifiable when it appears that all other progressive nations are either entirely decriminalising cannabis or relaxing their laws on its possession.

(Made before the Summer cabinet reshuffle while Alan Shatter was Justice Minister,  James Reilly was Health and Ming was in the Dáil)

Thanks 41st Shade

LethalDialectlong1-1024x510

Lethal Dialect x JackKnife J (feat. Jess Kav) – Headstrong

Ciaran writes:

Dublin rapper Lethal Dialect launches his new – and third – album tonight in the Opium Rooms, Wexford Street, Dublin 2. Prowlster caught up to interview [link below] the 25-year-old from Cabra West who has matured from boombap rap to soulful hip-hop. Confident, articulate and serene as all get out.

Lethal Dialogue with Lethal Dialect (Prowlster)

Portraits by: Al Higgins

irishwater

Yesterday

if they can’t dance they don’t want to be part of your revolution.

Dublin Says No sez:

“They said they couldn`t be defeated, we put it to the test. Today the people of North Dublin unleashed their secret weapon. The HOKEY POKEY.  GMC Sierra (water meter installers)  were instantly defeated as the employee ran for cover…”

coveraug25-1967

Marriage in the sixties.

What was not to like?

Ciara Meehan writes:

Modern Wife, Modern Life is my exhibition running at the National Print Museum of Ireland between August and October 2015. It explores the idea of the ‘modern wife’ in 1960s Ireland as seen through the pages of women’s magazines. Please consider showing your support for the exhibition by donating on Fund It.

At the start of the twentieth century, manuals on how to be a good wife were widely available in Ireland. With the emergence of new technologies, women’s glossy magazines came to replace the traditional manual as did the advice given to newly married women and housewives in the 1960s.

The concept of being an ‘ideal wife’ became closely bound up with being a ‘modern wife’. The message was clear: a ‘good wife’ was not just beautifully presented, but also used all the latest modern devices. Her home – especially the kitchen – was an extension of her appearance and reputation. ‘Modern life’ and ‘modern wife’ became blended into the one ideal.

Anyone can be a part of this history project by loaning items from the 1960s which fit into one of the six themes of the exhibition; print culture, advice for the newly married wife, beauty and presentation, new technologies in the home; women behind the wheel and the wife who works. Rewards for contributing to the cost of producing the exhibition include reproduction images, a limited edition booklet and a private curator’s tour.

modernwifemodernlifeexhibition.com

Previously: The Good Wife

Pic: Brand New Retro

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