Yearly Archives: 2014

interskalactic

Don’t watch that.

Watch this.

The heavy heavy sound of Interskalactic.

Now on the telly!

Ronan of Interskalactic writes:

“You guys featured a video of ours playing “Simmer Down” from Body & Soul back in July. Just thought I’d drop you a mail to let you know that on the back of some decent gigs down Electric Picnic last weekend and the great reception the vid got, we’re now playing the first Late Late Show of the season tonight on RTE One!
We’re looking forward to getting a bit of decent live ska out to the masses, The video  (above) is from Body & Soul of us playing Prince Buster’s classic ‘Al Capone’.”

*does nutty dance*

iAiltirí_na_hAiséirghe

Gaeilgeoiri Nazis.

They had a ‘swaistica’.

And a final bearla solution.

Sibling of Daedalus writes:

“Above is is the symbol of Ireland’s only indigenous fascist party, Ailtirí na hAiséirghe (Architects of the Resurrection), established by ‘disaffected accountant’ Gearoid O’Cuinneagain and  Gaelic League members in the early 1940s.
Among the stated aims of the movement were the criminalisation of English, discriminatory measures against Jews, and the conquest of Northern Ireland. The movement fizzled out following the end of the Second World War, but during its brief existence numbered among its members broadcasters and writers Brian Cleeve and Breandan O’hEithir…”

Dea-uair.

Cartoon via IrishElectionLiterature

UPDATE:

ZZnWD5v

Finian McCann adds:

Seen in Knocknacarra in Galway. Fada over the s. Na Ailtiri na hAiseirghe are turning in their Nazi graves somewhere….

Screen-Shot-2014-09-05-at-11.05.41-1024x678A section from a ‘prayer flag’ found in The Old Convent direct provision centre in Ballyhaunis, Co. Mayo, in 2010

Brian O’Connell continued his series on direct provision this morning, on RTÉ’s Today With Seán O’Rourke show. During his discussion with Mr O’Rourke, Mr O’Connell played another interview he had with a woman who has engaged in prostitution to supplement the €19.10 she gets from the State every week.

The interview started with the woman – whose name and place of residence was not reported – saying a girl approached her and told her how some Irish men would be “looking for black girls” and how “they offer you some money. I tried it once.”

Brian O’Connell: “Was it the case that a friend of yours referred that person to you?”

Woman: “She was with a man and most Irish men know, in the centres, I know I’ve met one who asked me ‘do you come from the centre up the hill?’ And I said, ‘yeah’. And he said, ‘well would you like come clean my house?’ And I said ‘yeah, that would be OK.’ And he came and met me next to the place and then he took me around some bushes and then he told me he just wanted to feel my body and paid me €10. Yeah.”

Brian O’Connell: “And how did you feel?”

Woman: “Worthless, worth €10, for someone to feel your body, that someone would just look at you and feel you’re worth €10, how shit would that be? When you do it, you don’t do it because you want to do it, because your body wants it. You do it to get a little bit of something. A little bit of money to help you. Not for yourself, for your son – maybe he needs to go to swimming classes, school trips are very expensive, yeah.”

O’Connell: “And these men that you’re meeting, are they married?”

Woman: “They are married, of course they’re married, cause when they call you in the evenings, they ask you not to call them.”

O’Connell: “Is it fair to say that you wouldn’t be doing this if you weren’t in the [direct provision] system?”

Woman: “I don’t think I’d be doing that because I envisioned a life of freedom, going to school, get a job, contribute to the economy. You know, everyone has dreams in life and you don’t dream of selling your body, you don’t do that.”

O’Connell: “Do the men call to the centre?”

Woman: “They call outside the centre.”

O’Connell: “So they don’t go inside the centre?”

Woman: “No they don’t.”

O’Connell: “Do you think if asylum seekers, like yourself, were able to work, that it would have a huge impact on your lives?”

Woman: “If you’re given the right to work, why won’t you work and feed your kids? Why won’t you work and look after yourself? You don’t want to sponge of someone. I [inaudible] one  Irishman and he called me a parasite.”

O’Connell: “Can you tell me a little bit about the rejection?”

Woman: “He was calling me names, n*gger, bitch, whore, and I didn’t like that. And then I told him I don’t like such names. He say, ‘oh, parasite, you sponge off the country’. He called me so many names, yeah.”

O’Connell: “When I was at the centre a couple of nights ago, I think I might have seen you leave.”

Woman: “Yeah.”

O’Connell: “Can you tell me where you were going?”

Woman: “I was going to meet one of the men. Just for 20 minutes.”

O’Connell: “And was there money involved?”

Woman: “Of course.”

O’Connell: “Do you mind me asking how much?”

Woman: “Just €30 because they often tell you, it’s in the car. It’s not in a hotel, it’s not in a bed, so €30, €40.”

O’Connell: “It seems surprising to a lot of people that it took this long for women like yourself to tell your story and  the minister [for Justice, Frances Fitzgerald] that media reports could further stereotype you.”

Woman: “When someone comes out, they give you a voice to come out too because, before that, no one cared, no one really cares what we go through.”

Listen back here

Pic: Asylum Archive

Screen Shot 2014-09-04 at 22.31.24 Foto+4Foto+3+copy
German street artist Andreas ‘Case Ma’Claim‘ von Chrzanowski’s contribution to the  HRLN Mural project. at Heerlen in the Netherlands.

That’d be nice on your gable end, wouldn’t it?

thisisnthappiness/streetartnews

tusk2

What you may need to know:

1. An eager podcaster gets kidnapped in rural Canada and mutilated to look like a walrus. His girlfriend and best friend lead the search.

2. The idea for the movie came during the recording of a podcast by the film’s writer and director Kevin Smith. He and producer Scott Mosier were discussing a Gumtree ad where a homeowner was offering a room free of charge, if the lodger agreed to dress like a walrus. Sound familiar?

3. The post on Gumtree turned out to be a prank by poet and messer Chris Parkinson. Smith eventually hired Parkinson as an associate producer.

4. Johnny Depp and Lily-Rose, Kevin Smith and Harley Quinn. Bring your daughter to work day.

5. The entire cast of Tusk has returned for the spin-off Yoga-Hosers, an action adventure about two yoga enthusiasts.

6. Broadsheet Prognosis: You be the Eggman

Release Date: TBC

(DElboy is away)

image1image

https://www.youtube.com/watch?feature=player_embedded&v=xq2xStb0R-c

Hard-hitting footage of a fatal collision in Norfolk has been released by police in a bid to get motorcyclists and drivers to think seriously about road safety.

The dramatic film, captured on a headcam fitted to the rider’s helmet, shows the moment a car crosses into the path of Norwich motorcyclist David Holmes who was killed on the A47 at Honingham in June last year.

David’s story, a video featuring clips including the collision as well as an interview with his mother Brenda, has been produced by police with the full support of all his family, who hope the campaign will prevent further deaths.

The 38-year-old had been travelling at about 97mph at the time of the collision.

WARNING: Video contains footage some viewers may find distressing.


Mother allows release of hard-hitting footage of her son’s motorcyle death on A47 (Dereham Times)

beach beach2 christian-chaize06beach3 beach4 christian-chaize03beach5 beach6

Excerpts from a project by photographer Christian Chaize spanning eight locked-off, large format years on a beach in Southern Portugal. To wit:

What the still-life was for Morandi, the haystack for Monet…this beach is that for me. From a distance, I observe the variables: light, weather, time of day, the ebb and flow of the ocean and most importantly, the sunbathers, unaware, below my large-format camera. The images are shot vertically, a departure from the traditional, horizontal format in landscape photography. It puts my subject matter in the form of a portrait—an ongoing record of this corner of nature (and human nature), over the minutes, the days, the years.

MORE: Praia Piquinia: Photos by Christian Chaize

failthistorment