As part of his 2011 master’s thesis, US design student Travis Purrington reimagined the American dollar, to wit:
…inspired by the Swiss Franc’s (CHF) ambitious redesign process (the currency is thoroughly redesigned every 20 years by way of contest) The goal was to develop a similar updated iconographic system better representing the advancements and culture within the American society. This particular series plays on themes of human discovery and endeavors to connect achievement, theory and the fundamental properties of life.
Different sized bills? No dead presidents? Nice try, buddy.
Viewers responded magnificently to Ryan’s request for a home made Christmas Jumper for this year’s show. He is pictured wearing a hand knitted jumper sent in by a viewer Fionnuala Hayward from County Wicklow. Ryan is also holding a Toy Show Jumper tree featuring had knitted jumpers made by sixth class in Scoil Bhríde (Cailíní), Blanchardstown.
The Late Late Toy Show airs next Friday on RTÉ 1.
Meanwhile on TV3…
Brian McFadden was on the Late Lunch Live ahead of the live TV3 Christmas Toy Show in the RDs tonight at 8pm.
Brian will be co-presenting the show with Karen Koster and a little help from Jedward.
FreeDessie Ellis, Sinn Féin TD, spoke this morning on the Domestic Violence (Amendment) Bill 2014.
Yesterday, I stood with party colleagues and other members of the Oireachtas at the Dáil gates for a minute’s silence in memory of the men and women and children who have died at the hands of their partner or ex-partner since 1996. This was a very poignant event coming on the International Day Opposing Violence Against Women. A shocking 78 women and 10 children have been murdered in these 18 years. The event was organised by Women’s Aid who had laid out shoes along a blank sheet to mark a timeline of these needless and tragic deaths. Shoes, flat heels and sandals standing in silent memoriam of the lives stolen. These lives as the vigil so movingly stated are stolen lives. They are stolen from their families, their friends, their communities. Snuffed out by an abuser who should’ve been stopped.
One in five women experience domestic violence in their lifetime. This ranges from physical, emotional, sexual to financial abuse. From abuse, threats to kill and abuse behaviour, to stalking and harassment. By their very nature these are mostly crimes which go on behind closed doors when the curtains are drawn when the world around stops looking. But it also happens right out in the open.
We must strive to improve public awareness of the risk factors of domestic violence and to encourage everyone to make their homes, their community, their circle of friends, a place where this kind of abuse will never be accepted. Because unfortunately we have a culture today where subtly every day teaches young men to do many of the things that can lead to domestic violence. This trend in our society is called the ‘rape culture’. Its name is shocking and some dismiss this as over over the top but the symptoms are undeniable and its effects illustrated by those 78 empty womens’ shoes are too horrific to ignore. Rape culture is the tendency in modern culture to dehumanise, devalue and commodify women. It has always been there but has become much more obvious in the modern era with the partial successes of the early feminist movement and the 24-hour consumer capitalist culture which has sprung up alongside the internet.
Technology is not to blame but it is often the medium through which this culture finds its most vile expression. This tendency creates a culture which normalises the idea that women’s bodies are not wholly their own. It encourages blaming rape victims instead of rapists. It jokes about men who beat their partners and it belittles, demonises and threatens all those who challenge it. This is the culture our young men are growing up in.
It seems like every week there is a new case of a woman who has been a victim of sexual assault who has watched her abuser go free because a judge felt sympathetic to the criminal. These judges have handed down fines for which must be the vile and reprehensible crimes a person can commit. This is a slap in the face to those who sought to have their attacker prosecuted but it also says to women and girls who are victims of sexual violence: Don’t bother, the state will not punish your attacker but you will be put through the mill anyway.
As with many of our worst social issues, there are why many whose voices are not heard. This is why we have brought the bill. It’s to try to make it easier for people to flee this kind of abuse. It is crucial that we promote opposition to this kind of behaviour.
But it is also essential, that people who seek to leave, to get out can do so, can be supported, validated and protected. That is what we seek to do.
Ticket stub (top) and report in the Dublin Evening Standard
Bloody Sunday, 1920
Glasnevin Museum writes:
“At 3.15 on November 21, 1920 the much-publicised GAA match between Dublin, the Leinster champions, and Tipperary began when referee Mick Sammon threw in the ball. British forces enter Croke Park ten minutes into the match between Dublin and Tipperary. Shots are fired at players and the crowd. 14 civilians are killed. The majority of the Croke Park dead are buried in Glasnevin Cemetery over the following days. The youngest, Jerome O’Leary, is aged 10. Uniquely Glasnevin Cemetery holds the graves of not only civilians killed that day at Croke Park but also of suspected British intelligence officers shot that morning and men who carried out those shootings.
A rather beautiful multilayered sequence by New York VFX studio Artjail and video artist Marco Brambilla, currently installed at the flagship Vera Wang store in Beverly Hills (do pop in if you’re passing) where it plays as an offset reel on eight wall-mounted panels.
Of the elaborate production process, Artjail sez:
The film was originally shot on Red Camera then effected in Autodesk Flame. We created transitions stitching multiple takes into one seamless clip and digitally hand painted degradation techniques to the footage. Out of the Flame the footage was scanned to 35mm motion picture film, where it was further degraded in multiple passes using bleach and other photo chemical processes. Those results were then loaded back into the flame where we used elements of the multiple degraded film prints to create more specific degradation. The silhouettes and other visual cues were also something handled in Flame.
A promotional video for cyberpsychologist and comedian James Moran’s new hour-long show Atom Tick at the Pallas Projects/Studios in The Coombe, Dublin 8, on November 27 and 28.
James writes:
“Atom Tick is a show told in three parts. It follows a presentation given by two entrepreneurs as they try to gain support (both fnancial and emotional) from audience. Throughout the 20-minute talk the duo discuss their plans for creating television shows, future technology and urban rejuvenation. The presentation is then repeated two more times, taking place at various points in the future. Jokes and concepts layer onto each other in interesting ways, each performance brings new ideas and puts interesting twists on previous ones. It’s a show about pop-culture, repetition, the internet and the future.”
Crikey.
Tickets for Atom Tick at €7. Doors open at 6.30pm with the show starting at 7pm sharp.
Video by Stephane Bena Hanly, a sculptor and comedian.