https://www.youtube.com/watch?v=3HfIqV3vqfM
Mick Quinn writes:
Here’s a video I directed for Luke Keating’s ‘Collide’. I’d love if you’d post it!
G’wan the Mick!
https://www.youtube.com/watch?v=3HfIqV3vqfM
Mick Quinn writes:
Here’s a video I directed for Luke Keating’s ‘Collide’. I’d love if you’d post it!
G’wan the Mick!
‘Anti-homeless’ spikes from Wexford company, Kent Stainless
“One afternoon in early July, Corinna Gardner, a curator at the Victoria and Albert Museum, in London, accepted delivery of a small cardboard box. It was a shipment from Kent Stainless, Ireland’s leading manufacturer of stainless-steel drainage. More recently, the company has got into street furniture: benches, bollards, bike stands, trash cans. Inside the package were several specimens of the Kent Spike Stud, a three-inch-high, bullet-shaped protuberance that, according to the firm’s catalogue, “is used to deter people from unwanted sitting areas such as window sills and wall tops.” Colloquially, they are known as “anti-homeless spikes.”
“In the previous weeks, the presence of a set outside the doorway of a luxury apartment building had been the subject of thousands of outraged tweets and a Change.org petition, by means of which 132,560 people successfully demanded their removal. Gardner opened the box with a pair of scissors and dug through plastic peanuts. The spikes, when they emerged, were heavy, like ripe fruit. The next day, after they were mounted on a slab of acrylic and installed in a glass case, they would become the latest objects to enter the V. & A.’s permanent collection: Spike Stud, 2014, Stainless Steel. “As one of my colleagues says, sinister objects demand our attention just as much as beautiful ones,” Gardner said.”
Very important objects (The New Yorker)
Previously: Roughing It
Related: Remove the anti-homeless spikes (Change.org)
H/T: Ciaran Cuffe
Fresh from the festival circuit, animator Mikey Please’s follow up to his brilliant, handmade, BAFTA-winning Eagleman’s Stag: Marilyn Miller – a tale of creation and destruction told using sculpted styrofoam models and complex, long exposure lighting.
Short making-of feature here.
Ahem. Dear lovely people at @twitter. Just wondering how do we get ourselves verified please?
— BreakingNews.ie (@breakingnewsie) July 30, 2014
Anyone?
Apartments for ants?
A council spokesman said: “In the heart of Dublin’s north inner city, in an area extending from the North Circular Road to the River Liffey and from Amiens Street to Dorset Street, over 46pc of all homes have just one bedroom or less. Half of these homes were built over the past 20 years.”
But..
….Fintan McNamara, a spokesman for the Residential Landlords Association of Ireland, disagrees about over supply of accommodation for single people households. He is convinced that micro flats are needed to address the shortage of affordable rental accommodation because so many bedsits have been taken out of the market since the authorities banned the division of old houses into flats which shared bathrooms and other facilities…
Independent.ie Is Micro Really Dublin’s Next Big Thing? (Independent.ie)
Previously: Self Contained Studio
Pic: Smartspace

Former Justice Minister Alan Shatter
In the High Court…
It is also alleged the terms of reference for the report did not entitle Mr [Sean GuerinGuerin to reach the conclusions he had. There was failure to consider all the relevant documents, including documents from Mr Shatter and the Garda Siochana Ombudsman Commission. It is alleged Mr Guerin regarded himself as bound by a fixed eight-week time limit and he should have, but failed, to take the additional time necessary for the report. It is alleged “indecent haste” in concluding the report led to errors, including alleged failure to fully engage with the process.
Shatter brings High Court challenge to findings of Guerin report (Irish Times)
Previously: “We Are Independent”
Photocall Ireland




Animal sculptures wrapped in five-needle lace, handmade cotton crochet webbing by Portuguese artist Joana Vasconcelos. The animals are reproductions of oversized ceramic pieces by the 19th century Portuguese artisan Rafael Bordalo Pinheiro (1846-1905).
The idea being to one-up the works with an overlay of feminine domesticity, radicalising preconceived notions of modernism, tradition and motherhood.
Where is your God now?
And we’re done here.